The performance of the Konkomba folktale adheres to traditions and standards which may vary slightly from story teller to story teller but make the performances recognisable as belonging together. The Konkomba folktales are stories which blend the genres of prose, … Continue reading
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Introduction to Orality, Literacy and Performance
Orature is a living tradition precisely because orality, its base, is always at the cutting edge of the new and the experimental in word and experience.” (Ngugi wa Thiog’o. Globalectics: Theory and the Politics of Knowing. Columbia University Press, 2012, p.83.) 26th of … Continue reading
Demarginalising Orature – Translating Minor Forms into the Digital Age (WiSe 22/23)
Introduction In the winter term of 2022/23, I participated in the ‘Demarginalising Orature’ seminar, organised and held by Dr. Eva Ulrike Pirker, Tasun Tidorchibe and Jana Mankau. The seminar aims at “decolonizing knowledge and making knowledge (and primary materials) from … Continue reading
Guest Lecture on The Sɩsaala Dirge by Dr. Confidence Gbolo Sanka
Introduction Last week we listened to a lecture about Ghanaian funerals by Dr. Sanka. The lecture was mainly focused on the nature and qualities of the Sɩsaala dirges as well as answering what exactly makes them literary. What is a … Continue reading
Aesthetics of Konkomba folktales
The issue of library catalogues and classification We started the session by discussing this question: In which category can we sort Konkomba folktales? We watched a video of one such folktale. The storyteller uses gestures, imitates sounds, sings alone and … Continue reading
Folktales: On the Preservation of Culture and Language
In our last session in the course “Demarginalising Orature – Translating minor forms into the digital age” we talked a lot about culture and language, their relation to folktales, and also how important folktales are in order to preserve them. … Continue reading